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Today, a flurry of backwards out of order orderly Today, a flurry of backwards out of order orderly works in soft blue. This is...Float No. 18, 17, 16 and 15. These four small pieces helped inspire the more defined white shapes found in artwork "Float No.27" (referenced in the bio link)
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You can learn more about the Float Series and Belonging Series in the 
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Every time I see this photo I laugh out loud. My a Every time I see this photo I laugh out loud. My art brains reads "No Lunching" over and over. And I think to myself, "Why?! It's the perfect place for lunch." 

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Is identity fluid, layered, and maybe even incompl Is identity fluid, layered, and maybe even incomplete? I would say yes as we're all in a constant state of change-hopefully growth happens as well. And you?

Quietly, 3 months ago, I returned to abstract figurative painting. Portraits to start..."Portrait No.6" selected by Rise Art to be part of the collection "New In This Week" curated by Cécile Martet. 

Additional info in the bio 🔗 🌲

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I'd say 95% of the time I am posting about art, ar I'd say 95% of the time I am posting about art, art making, art process, art experiments, the art studio and all things art nerd. More art! But today, something different...miss you hubbie. 
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Ok, enough of that. Back to art. 

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All of the details from "Float No.27" come togethe All of the details from "Float No.27" come together ...selected by Saatchi Chief Curator Rebecca Wilson to be in the "New This Week" curated collection.
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More info in the bio 🔗 🌲

#sararichardson #sararichardsonart #sararichardsonartist #fineart #float
Lovely detail images of "Float No.27" an original Lovely detail images of "Float No.27" an original mixed media work on 400gsm paper. 

This piece has been selected by Saatchi Chief Curator Rebecca Wilson to be in the "New This Week" curated collection. 💚

More about "Float No.27" in the bio link tree. I'll write more about this piece in detail next time and some thoughts about the label "drawing" - which will probably be a little bit funny coming from a professional painter/draftswoman. 

#sararichardson #sararichardsonart #sararichardsonartist #saatchiart #curated #artcuration #artcollection
BEST OF OCTOBER! 🧡 This warrants all caps my fr BEST OF OCTOBER! 🧡
This warrants all caps my friends. "Wild Flowers No.32" mixed media work on archival paper 18x24"/45.7x61cm in the curated Best of October collection at Artfinder.

In a prior post, I mentioned the importance of curated collections to both the artist and to the collectors. Yes, it is an honor, but it's also a nod to the artist you are moving in a solid direction particularly if you are starting a new series or constantly experimenting like myself. To the collector, it reflects valuation but also artistic stability when you are considering purchasing. Stability meaning, this artist isn't going anywhere and will continue growing their career. 😊

Thank you to the curators @artfinder_com 

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Well, there she is...the painting in the backgroun Well, there she is...the painting in the background is me. 😉

The painting, "Snow Out No.1" is not as muted as the @theodore_alexander_official photograph portrays. The mountainscape, inspired by the Rocky Mountains, is high contrast with bright hot whites and deep rich black umbers.

Photo Credit: © 2025 Theodore Alexander 

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Best of August Curated Collection @riseart "Blue R Best of August Curated Collection @riseart "Blue Rising No.1" original 48x48 painting on canvas inspired by water and wilderness. 

You may be thinking, why are these collections important, Sara? Well, for starters the collection is hand-selected and presented as a thoughtful curated group of works. This is similar to being asked by a director or curator to be part of an organized custom group show in a gallery or museum. As a potential art buyer or collector this is the kind of thing you may want to consider...is the work being hand-picked by trusted curators to be featured in their shows? Why, yes, yes it is. "Blue Rising No.1" has now been chosen to be in two separate Rise Art collections. Thanks Loise and friends.
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Link to the collection in the bio 
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Float No.19, 20 and 21 in a contextual setting. Re Float No.19, 20 and 21 in a contextual setting. Remember the "interesting greens" from the prior post? 💚 This trio is inspired by the greenish photos I collected over the past year - even that weird tea pot photo. Let me know if you need to see the tea pot again. Lol. 

Learn more about the Float Series in the bio 🔗🌲

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From the studio for you today: 💚interesting gre From the studio for you today: 💚interesting greens and one goblin. 

Or is that a fish with arms? Fishy goblin? Always a good time with my old friend Hieronymus Bosch.

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"Sonnet In Blue No.8" original painting. Additiona "Sonnet In Blue No.8" original painting. Additional details in the bio 🔗
You may be surprised to learn the rich linework in the painting was not created with black india ink. Instead, the lines are from a custom paint mix which took time to figure out, of course. I wanted to use something very very specific with an opacity that made a dense blackout where ever applied the paint. The contrast between the dense fluid lines and the feathery painted areas heightens this idea I was working with in terms of visual weighting/heaviness and floating simultaneously. 

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Not in my house, but absolutely wish it was. "St Not in my house, but absolutely wish it was. 

"Starshine" by artist Ann Carrington @anncarringtonart - so thankful I got to see this piece.
It's hard to believe this summer is already windin It's hard to believe this summer is already winding down and kids are about to (or already have) returned to school. 🍀 For all the parents, educators and staff - good luck and warm wishes. 

Today is a post with the full version of "Float No.12" and a couple of detail images that help show the immense layering process that goes into color building, soft feathery transitions and careful interactions with the piece while it develops. 

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"Float No.12" in a contextual setting. This is the "Float No.12" in a contextual setting. This is the companion piece to No.11 (view in prior post) however, the works are strong enough on their own to stand alone. These days, I rarely create individual works as I have grown into working at a minimum of pairs, trios and my favorite, quartets. The trick to developing art like this is making sure the works are powerful enough individually and/or to create a strong dialogue between the pieces when they are grouped. This probably sounds like I deliberately create extra complications while I am working, but I don't see it that way at all - it's an added level of complexity I love. 
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Something light and airy for you today as we sail Something light and airy for you today as we sail through our August summer days...💚 "Float No.11" original mixed media work on paper created with a densely textured application of mediums and thought processes to develop a layered, ethereal composition that builds in soft light, gentle movements with an undercurrent of fortitude. 
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"Blue Rising No.1" hand-picked to be included in R "Blue Rising No.1" hand-picked to be included in Rise Art New This Week Collection. Blue Rising is a large (48"x48") original painting on canvas inspired by abstract organic shapes found above and below the sea. 🐬This piece in person exudes a visual rhythm and vitality that's both pleasing and calming at the same time. You can learn more about this painting in the bio link. 

#sararichardson #sararichardsonart #sararichardsonartist #art #artconsulting #artcollector #artcollecting #blue
Dramatic and beautiful "Belonging No.23" is about Dramatic and beautiful "Belonging No.23" is about conflict, resolve and the range of emotions when deep human connections are made, fractured, mended and re-grown again. The sense of belonging then becomes more bonded and ultimately stronger. The series integrates hints of organic shapes such as leaves, petals and botanics with abstracted everyday objects. Each layer of feathery, calligraphy-inspired brushwork alternates with thick professional grade white paint represents a visual metaphor of connectivity and bonds that stretch but do not break. Details in the bio link tree. 

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#SaraRichardson #SaraRichardsonArt #SaraRichardsonArtist #Belonging
Little details from the contemporary black and whi Little details from the contemporary black and white painting "Belonging No.23". This work is created on on stretched 24x30(in) / 61x76.2(cm) canvas and ships ready to hang. The Belonging series is about conflict, resolve and the range of emotions when deep human connections are made, lost and grown again. #Belonging 

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#SaraRichardson #SaraRichardsonArt #SaraRichardsonArtist
20 seconds of quiet for you today. Not my people 20 seconds of quiet for you today. 

Not my people, just random folks enjoying the quiet too. I was on unofficial official turtle patrol. Calm mind, calm thoughts.

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